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The Shadow Sequel Poll
Which Shadow pulp or radio show (or combination of both) would you adapt?
Want to add your own opinion? Email
me! Don't forget to read the rules,
though.
Of all the shows that I would adapt, I would take nearly any of the
Orson Welles shows, but probably specifically the very first episode
Death House Rescue. These original shows made The Shadow
what he was in the radio show, before the show [itself] grew stale
with redundant storylines.
Geoffrey
Wow...this is an almost impossible question to answer. I'd have to
say first that it would be better to stick to
one medium of The Shadow or the other. Don't go mixing the radio version
with the pulp version. He's either got to have mind clouding
powers or not. Personally, I prefer not. It makes everything he does
just that more exciting and amazing. If I would have to pick a pulp
for the movie to be based on, it would have to have at least a couple
of the regular agents in it helping out The Shadow. I'd have the Chief
mostly working in the backround, although you see him frequently in
places like: the Sanctum( just bare hands and Girasol under blue shaded
lamp), Police Headquarters (as Fritz the Janitor), trailing some crook
through darkened streets (in cloak and hat), and at least once posing
as Lamont Cranston, but the audience would CLEARLY know that Cranston
is a DISGUISE not an "alter-ego." There would also be awesome fight
scenes where The Shadow battles with a mob of thugs, some really intelligent
mastermind for him to match wits with, and at least one scene with
the infamous Autogyro.
Personally I'd also like to see the lack of "damsel in distress" from
Margo, if she is included in the movie at all. I don't think she is
necessary, after all he already has a group of capable agents to serve
him. We dont need her to go bungling things up. Also most of the pulps
don't have her in the story anyways, she was a later add-on because
of the hit radio show. Lastly, and most importantly I believe the
character of The Shadow should remain a mystery throughout the ENTIRE
movie. No origins, no flashbacks, zilch, zippo, nada. The audience
wouldnt need it, and it takes away from the exciting action. Leaving
the backstory out, you can get right down to business. The only thing
that I would even THINK about alluding to would be his WWI spy/ace
pilot days. But that's it, no more.
Corey C.
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